Monday, October 10, 2011
Sunday, June 19, 2011
Sunday, June 5, 2011
Wednesday, June 1, 2011
Monday, May 30, 2011
Sunday, May 29, 2011
Saturday, May 28, 2011
Meetings all day
Today we asked some serious questions about these difficult exhibitions we've been having. If difficult exhibitions are difficult, then the reading of them is easy: "Another difficult exhibition, another triumph, in a series of triumphs" (...against the odds, in contrast to all the easy works in the easy galleries).
We are determined to find a solution to this problem and will keep you posted.
Thursday, May 26, 2011
Monday, May 16, 2011
No HTML please
No line breaks, fonts, italics, alignments, undoing.
New rules apply immediately, until 5pm.
New rules apply immediately, until 5pm.
Thursday, May 5, 2011
New Show Impossible To Write About
The public relations and complaints team at MGU has been up all night as usual frothing about one thing or another. This time the focus has centered on the new exhibition, which is not even called 'untitled'. It is impossible to name it or call it. It is impossible to grasp it with the techniques we have come to rely on. The team said that they could not penetrate it with their intellect, as it would not allow it. The whole show has been running away from being known or seen or installed or written about. It is really quite unusual.
Not Easy
The new exhibition opening tomorrow will show a work of art that cannot be moved into the gallery, it cannot leave where it is, yet it will still be there. It cannot be seen or heard but it can be comprehended. This new show will require no installing or heavy lifting, yet it will not be easy for anyone involved to be a part of it. It is going to be extremely difficult. The most difficult yet.
Wednesday, May 4, 2011
Thursday, April 28, 2011
Sunday, March 6, 2011
YOUNG MEN OFFER TO TAKE MGU FOR A SPIN
Staff received a very generous offer late last night, that due to under-resourcing, had to sadly decline. Three young men, all very excited, offered to take the gallery "off our hands for a week or two". Gallery staff made the decision to unhook the Gallery from their car, coming to a mutual agreement that suits our art loving fans too. The young men will call their car 'Mobile Gallery Unit' for the week, while we will be referring to the Gallery as 'Mum's car'.
Wednesday, March 2, 2011
NEW EXHIBITION MILDLY MORE DIFFICULT THAN THE LAST
Contemporary artists have outlined a new set of instructions for gallery staff.
They would like to radically change the structures of presenting contemporary art, the way contemporary art is thought about and discussed, and the relationship between art works and the public. They have come up with a series of suggestions that might help, based on how people sit at their desks. First on their list was the 'suggestion' of adopting the pictured pose for office work. The artists have suggested that all offices could adopt this practice, not just curators.
We are attempting this right now.
Thursday, February 24, 2011
Tuesday, February 22, 2011
Monday, February 21, 2011
CONSTRUCTIVE TALKS NOW IN PROGRESS
MGU is in discussion with a top International artist about his new theory on the connection between Jack and the Beanstalk and Jack the Ripper.
The artist says 'people are complex'.
MGU agrees.
The artist says 'people are complex'.
MGU agrees.
Sunday, February 20, 2011
Sunday, February 13, 2011
CRIMINAL
After a little spell off MGU returns with an exhibition.
This time an artist has installed an exhibition relating to a crime scene within the Gallery that implicates prominant American politicians and the FBI.
All we can say so far is that it is a very detailed little scene with a trail of passports, documents, evidence of political inclinations, various guns, hair, and other things that seem to have come from the back pockets of agents dining at diners in TEXAS.
All very suspicious.
This time an artist has installed an exhibition relating to a crime scene within the Gallery that implicates prominant American politicians and the FBI.
All we can say so far is that it is a very detailed little scene with a trail of passports, documents, evidence of political inclinations, various guns, hair, and other things that seem to have come from the back pockets of agents dining at diners in TEXAS.
All very suspicious.
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